12 Feb 2015 Joachim Koester, excerpt from The Place of Dead Roads, 2013, HD video installation, color, sound, 33 min. 30 sec. Courtesy of the artist and

Joachim Koester : “The Place of Dead Roads” / Centre d’Art Contemporain, Genève (CH) / Jusqu'au 17 août 2014. Le Centre d’Art Contemporain à Genève présente The Place of Dead Roads, une exposition monographique de Joachim Koester réunissant une installation vidéo inédite, coproduite par le Centre, et un ensemble important d’œuvres photographiques réalisées entre 2003…

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Video, color, sound, 33’30” An exploratory starting point is the video work The Place of Dead Roads. Referencing a western novel of the same name The Place of Dead Roads Joachim Koester. More from Joachim Koester. Welcome To Arthur Arthur is a digital museum.

The Centre d'Art Contemporain Genève presents “The Place of Dead Roads”, a solo exhibition by Joachim Koester featuring a new video installation,

title = "The Place of Dead Roads, Galerie Jan Mot, Brussels",. author = "Joachim Koester",. year = "2014" Scenes From Western Culture, Lovers (Ásrún Magnúsdóttir and Atli Bollason), 2015. Copenhagen Contemporary · Joachim Koester, 'The Place of Dead Roads', "The Place Of Dead Roads" by Joachim Koester at ARoS Art Museum, Denmark.

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The Centre d’Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works March 6 - April 18 2015 Galleri Nicolai Wallner is pleased to announce a solo exhibition of works by Joachim Koester. In one of Koester’s most striking shows to date, an immersive, large-scale installation encompasses the exhibition space. An exploratory starting point is the video work The Place of Dead Roads. Koester, Joachim.

Watch ©Karolina Miernik. 2021-03-22 Download PDF: Sorry, we are unable to provide the full text but you may find it at the following location(s): http://lup.lub.lu.se/record/71 (external link) Joachim Koester is a Danish artist based in Copenhagen. The Place of Dead Roads, Galerie Jan Mot, Brussels Joachim Koester (2014) Artistic work The Ghost Shop, Camera Austria, Graz Joachim Koester (2014) Artistic work The Crime Was Almost Perfect, Witte de With, Rotterdam The Camden Arts Centre is hosting ‘In the Face of Overwhelming Forces‘, a multimedia immersive collection of Joachim Koester‘s works spanning the last twelve years of his career. In ‘ The Place of Dead Roads ‘ four performers revisit the customary, if not stereotyped, movements of actors of the Western genre with duel-like circling and drawing of guns. Joachim Koester The Place of Dead Roads 23 May–17 August 2014. Centre d‘Art Contemporain Genève 10 rue de Vieux-Grenadiers 1205 Geneva Switzerland. www.centre.ch.
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The Centre d’Art Contemporain Genève presents The Place of Dead Roads, a solo exhibition by Joachim Koester featuring a new video installation, coproduced by the Centre, and an extensive collection of photographic works Joachim Koester Body Electric Ground Floor January 13 – February 14, 2015. Selected Works Press Release Back.

year = "2014" Scenes From Western Culture, Lovers (Ásrún Magnúsdóttir and Atli Bollason), 2015. Copenhagen Contemporary · Joachim Koester, 'The Place of Dead Roads', "The Place Of Dead Roads" by Joachim Koester at ARoS Art Museum, Denmark. 2018. Horse Sings From Cloud, Shortfilm 13 min, Directors: Isak Sundström, Mario Garcia Torres · Dominique Gonzalez-Foerster · Joachim Koester The Place of Dead Roads.
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Joachim Koester The Place of Dead Roads (video still), 2013 Galleri Nicolai Wallner

Vive y trabaja entre Copenhague, Dinamarca y Nueva York, EE.UU. The Royal Danish Academy of Fine Arts, Copenhague, Dinamarca (1987-1993) The Place of Dead Roads, Jan Mot, Bruselas, Bélgica. Itinerancia: Centre d'Art Joachim Koester : “The Place of Dead Roads” / Centre d’Art Contemporain, Genève (CH) / Jusqu'au 17 août 2014. Le Centre d’Art Contemporain à Genève présente The Place of Dead Roads, une exposition monographique de Joachim Koester réunissant une installation vidéo inédite, coproduite par le Centre, et un ensemble important d’œuvres photographiques réalisées entre 2003… Joachim Koester, Tarantism, 2007, Courtesy the artist and Jan Mot, Brussels One winter’s night in early 1842, Joseph Mallard William Turner strapped himself to the mast of a steamship in the midst of a storm in order to experience nature in all its sublime majesty. Jan Mot is participating in Art Basel Online Viewing Room: Pioneers with the presentation Seth Siegelaub: How is Art History Made? focusing on works by trailblazing artists who have been part of Seth Siegelaub’s projects: Carl Andre, Robert Barry, Rosemarie Castoro, Hanne Darboven, Douglas Huebler, Robert Huot, Joseph Kosuth, David Lamelas, Lawrence Weiner and Ian Wilson. The exhibition showcases the works of twenty-eight contemporary artists such as Francis Alÿs, Eleanor Antin, Anthony McCall, Joachim Koester, Louise Lawler and Jeff Wall.

Nanking Restaurant, Tracing Opium in Calcutta Joachim Koester, 2009, Questioning History, Imagining the past in Contemporary Art. van der Stok, F., Gierstberg, F

Through their photographs and installations, the artists examine our relationship with space and take us through historical locations, emotionally charged spaces, imaginary, real or reconstructed places. 2013 wurde Joachim Koester mit dem Camera Austria-Preis ausgezeichnet. Filme (Auswahl) Pit Music (1996) Message from Andrée (2005) Tarantism (2007) The Hashish Club (2009) Of Spirits and Empty Spaces (2012) The Place of Dead Roads (2013) Howe (2013) Department of Abandoned Futures (2015) JOACHIM KOESTER: “Well, I think there are many kinds of wilderness: In the 19th century, the uncharted places on the globe were a geographic wilderness for Western civilization; people would go to the jungles, the deserts, or the polar ice fields in order to discover and conquer new lands. Importantly, Koester's ruins avoid the ideological optimism of neo-conservative philosophers such as Francis Fukuyama who, in his famous book The End of History, sees modernity as having achieved its goal of universal freedom in the market-oriented liberal democracy of the USA. 51 On the contrary, Koester's ruins remind us of the instability of every social order, including neo-liberal ones Koester explores the labile borderline between consciousness and its various possible modifications--through trance in Tarantism, 2007, for instance, or through psychoactive drugs in The Hashish Club, 2009--and between reason and what escapes its control.

6 Nov 2015 Hacer cuerpo con la máquina: Joachim Koester Joachim Koester's practice ( Copenhagen, 1962) is a constant The Place of Dead Roads. Along the way, I will discuss two highly gestural video installations by Danish artist Joachim Koester, The Place of Dead. Roads (2013) and Maybe this act, this some places have the power of letting us see into the future - I traveled to concrete remains of washed away roads, light poles and even a four-story housing death of Raoul Loveday - from enteric fever, contracted by drinking wat The Place of Dead Roads, Jan Mot, Bruselas, Bélgica.